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Разговорный
11. I Can't Escape Away
172
2:01
86
PR
2,7 ▲
320
Nu metal, Hardcore
10. All Our Frends Have Abandoned Us
117
5:02
25
PR
0,6 ▲
320
Nu metal, Hardcore
Profit & Strogonov (Live) @ World of Drum&Bass (07.10.2022)
332
57:25
166
PR
6,4 ▲
320
Drum & Bass, Hardcore
JAPAN CRAZY HARDCORE 2022
517
62:22
2
179
PR
5,5 ▲
320
174
Hardcore, Happy Hardcore
DJ Evgeniy Timaev - live @Лагерь солнышко (19.06.2022)
398
43:46
145
PR
3,6 ▲
320
Nu Disco, Hardcore
Bart - Myasorubka @ Live 1.32 finala
346
17:38
1
78
PR
2,7 ▲
320
150
Hardstyle, Hardcore
JAPAN RAVE Day 2 ESSIGI IBIZA 2020
573
139:24
1
115
PR
4,4 ▲
320
Rave, Hardcore
D.J. SMOKY - The Speed Freak Mix Live
248
31:01
2
74
PR
3,9 ▲
Hardcore, Speedcore
D.J. SMOKY - Radium Mix Live
209
17:18
1
55
PR
3,1 ▲
Hardcore, Speedcore
Tyrbo aka Srakatan - Skit (Other Album)
573
2:41
66
PR
3,7 ▲
160
Happy Hardcore, Hardcore
DJ Or-Beat live at PDJTV ONE (8.02.2015)
2 508
57:05
4
3 982
PR
183 ▲
320
170…215
Hardcore
iVan Great! aka G.R.S. aka Flash Of Remixblood - Hardcore
232
61:14
67
PR
2,6 ▲
Hardcore
DJ Pam - Live@Mandarin Open-Air 03.08.13
361
38:38
293
PR
7,5 ▲
320
175
Hardcore
Stenley Ice - Взрывное МЯСОооо!!!! :)
413
25:07
1
74
PR
2 ▲
320
160…180
Hardcore, Happy Hardcore
Simon Phoenix - Live @ A-CORE 2012
158
68:09
1
66
PR
6,3 ▲
Hardcore
DJ Or-Beat & MC Da Predator - Live @ Hardcore VS Jungle 5 (Recorded Live @ MDM in May 1999)
4 071
21:54
20
2 049
PR
85,7 ▲
180
Hardcore, Gabba
Pol Bender live @ Oldschool Rave-3 (Plan B)
175
42:51
104
PR
5,6 ▲
Hardcore
Ex-Dream live @ Oldschool Rave-3 (Plan B)
151
21:48
289
PR
10,2 ▲
Hardcore
DJ Шмель-HARDCORE MIX 1996г
1 427
70:51
14
492
PR
44 ▲
320
Hardcore
hardcore vs jungle @ aquatoria club /part 3
1 190
28:43
3
529
PR
22,3 ▲
Hardcore
Hardco
re
i like Hardcore
Hardcore is a genre of electronic music emerged in the early 90s when musicians began to experiment with techno music tempos. The emergence and development of this style can be observed in several countries. First of all it was in the Netherlands, Germany, and UK. The genre is typified by a high rapidity (160 to 300 BPM), the usage of atonal industrial sounds or samples, and the intensity of the kicks with distortion.
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